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Gear
Jimmy Page
John Paul Jones

John Bonham
Studio & Live Gear

John Paul Jones - 1981 to Present
Bass Guitars

  • 12-String Manson
  • Quilted maple top. Blue finish. Ebony fingerboard, blue LED dot markers triggered by sound. Chrome hardware. Stereo wiring. Tuned B-C.
  • Built by Hugh Manson

  • 12-String Manson
  • Flamed Australian Blackwood front. Matt finish. Ebony fingerboard. Stereo wiring. Gold hardware. A heavy recording bass. Tuned B-C.
  • Built by Hugh Manson

  • 10-String Manson
  • Quilted maple front. Satin amber finish. Ebony fingerboard, yellow fingerboard LED dot markers. Gold hardware. Stereo wiring. Tuned E-C.
  • Built by Hugh Manson

  • 8-String Manson
  • Stereo wiring. Tuned E-G. Sometimes B-D.
  • Built by Hugh Manson

  • 4-String E 35 Manson
  • Quilted maple top. Ebony fingerboard. Sunburst finish. Black hardware.
  • Built by Hugh Manson
  • 4-String E 35 Manson
  • Quilted maple top. Ebony fingerboard. Sunburst finish. Gold hardware. JPJ's Symbol on Trussrod cover.
  • Built by Hugh Manson
  • Used extensively at the O2 Reunion concert

  • 4-String Manson
  • Flamed top, natural finish. Single EMG pickup. Ebony fingerboard.
  • Built by Hugh Manson

  • 4-String Manson P
  • Jazz style neck on a P Bass body
  • Built by Hugh Manson

  • Various Fenders and copies

  • Manson 8-String

  • Specs:
    Body: Sycamore core with imbuya front
    Neck: 3-piece bird's eye maple

  • Manson 5-String

  • Manson Fretless 5-String

  • Manson III Guitar w/ Roland Synth pickup


  • Guitars
  • Tripleneck Manson Electric Mandolin
  • Built by Andy Manson

  • 4-String Manson Electric Mandolin
  • Quilted maple top. Ebony fingerboard. Single EMG pickup with bridge transducer system
  • Built by Hugh Manson

  • 8-String Manson Bass Mandolin
  • Carved flamed maple top. Matte amber finish. Rosewood fingerboard. Stereo wiring. Gold hardware. Tuned G-E.
  • Built by Hugh Manson

  • 8-String Manson Acoustic
  • Built by Andy Manson

  • 8-String Manson Mandolin
  • Built by Andy Manson

  • 8-String Manson Mandolin
  • Built by Andy Manson

  • 8-String Manson Electric Mandola
  • Built by Hugh Manson

  • Bass Pedal Steel


  • Keyboards
  • Hammond XB-2
  • Used on-stage on the 1999-2000 Zooma and 2001's The Thunderthief tour
  • Specs:
    Keys: 61
    Synthesis Type: Digital Analog DRH B3
    Polyphony: 8
    Multi-timbral (number of parts): 2
    Oscillators per Voice: Max 9
    Controllers: BASS PEDAL OPTIONAL
    Memory Patches: 128
    Polyphony: 64
    Memory Patches: 32
    Audio Outs: 2
    MIDI Out/In: 1/1

  • Korg Oasys 88
  • Used on-stage at 2007 O2 Reunion Concert
  • Specs:
    Keys: 88-key Real Weighted Hammer Action (RH2)
    Synthesis Type: New design ultra-low-aliasing oscillators OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM, and Sync
    Polyphony: HD-1: 172 voices (172 oscillators), AL-1: 84 voices, CX-3: 172 voices
    Controllers: Vector joystick, joystick, ribbon controller, switches 1 & 2, Pads 1-8: Velocity-sensitive drum pads and chord triggers.
    Control Inputs: Damper pedal (half damper supported), assignable switch, assignable pedal
    Audio Outs: 2
    MIDI Out/In: 1/1
    More Info: http://www.korg.com/gear/prod_info.asp?A_PROD_NO=OASYS

  • Korg X50
  • Used on-stage at 2007 O2 Reunion Concert
  • Specs:
    Keys: 61-key, velocity sensitive
    Tone Generator: HI (Hyper Integrated) sound engine, 48 kHz sampling frequency, 64 MB PCM ROM, 470 multisamples + 518 drumsamples
    Polyphony: 62 voices, 62 oscillators (in single mode), 31 voices, 62 oscillators (in double mode)
    Controllers: pitch bend wheel, modulation wheel, REALTIME CONTROLS knob 1~4, Audition key, Category key
    Control Inputs:
    Audio Outs: MAIN-L/MONO, R; INDIVIDUAL-1, 2; Headphones
    MIDI Out/In: 1/1
    More Info: http://www.korg.com/gear/prod_info.asp?A_PROD_NO=X50

  • Korg X5
  • Used on-stage on the 1999-2000 Zooma and 2001's The Thunderthief tour
  • Specs:
    Keys: 61
    Synthesis Type: Digital Sample+Synthesis with 6MB of ROM
    Polyphony: 16-32
    Multi-timbral (number of parts): 16
    Oscillators per Voice: Max 2
    Controllers: Food Switch, Expression Pedal
    Effects: 47
    Drum Kits: 2(RAM)+8(ROM)
    Memory Patches: 100 RAM + 128 (GM) ROM
    Audio Outs: 2
    MIDI Out/In: 1/1

  • Yamaha KX88
  • Used on-stage on the 1999-2000 Zooma and 2001's The Thunderthief tour
  • Specs:
    Keys: 88
    Synthesis Type: Digital FM
    Polyphony: 64
    Memory Patches: 32
    MIDI Out/In: 1/1


  • Amplification
  • Fender
  • SWR SM900 Head
  • Specs:
    Wattage Rating: 900 watts mono/400 watts per channel stereo @ 4 ohms
    Controls: Master, Bass, Treble, Dual selectable three-band semi-parametric EQs
    Outputs: Speakon and 1/4" speaker jacks
    Other: Studio-quality XLR out with ground lift and level pad, bi-amp capable with high and low crossover outputs and frequency control, variable limiter, side-chain effects loop with blend control, tuner send, EQ Channel Select footswitch

  • SWR Goliath cabinet
  • Specs:
    Speaker: 4x10 enclosure
    Wattage Rating: 700 watts RMS
    Impedance: 8 ohms
    Outputs: Dual Speakon and 1/4" speaker jacks
    Other: Spring-loaded handles, vibration-free shock-mounted chrome grill, rear port

  • SWR Big Ben cabinets
  • Specs:
    Speaker: 1x18 enclosure
    Wattage Rating: 400 watts RMS
    Impedance: 8 ohms
    Outputs: Dual Speakon and 1/4" speaker jacks
    Other: Spring-loaded handles, vibration-free shock-mounted chrome grill, rear port


  • Effects
  • Symbolic Sound Kyma
  • What is the Kyma?

    Kyma is a computer-based sound design/synthesis system developed by a team of electronic music graduates and enthusiasts in California who got together under the name Symbolic Sound in 1989. Running on Mac or PC, the computer acts as the front end for the sound shaping (by means of a user-friendly and mainly graphical drag-and-drop interface), while the DSP power required to do the number-crunching involved in the sound creation is supplied in a separate piece of hardware connected to the computer, the Capybara rack unit.

    The system is very flexible, allowing for real-time synthesis in the computer in a number of styles from analogue-style subtractive, through FM and right up to modern-day resynthesis and granular techniques. Real-time sampling, hard disk recording, and audio processing are also possible.

  • Roland PK-5A
  • Seen on-stage at the 2007 O2 Reunion concert.
  • Specs:
    Keys: 13
    Expression: 13 different levels of velocity sensitivity



    Resources
    For More Information:
  • http://www.soundonsound.com/sos/nov99/articles/john.htm
  • http://www.sonicstate.com/synth/index.cfm


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