Can be seen on the video Wasting My Time on Outrider

Specs:

Body: Carved east coast figured maple top with thick mahogany back
Finish: McCarty Sunburst
Neck: 25" scale length mahogany
Fingerboard: Rosewood
Frets: 22
Hardware: PRS Stoptail, "McCarty" truss rod cover
Tuners: Vintage-style
Pickups: McCarty treble and bass pickups with covers
Controls: Volume, push/pull tone, 3-way Toggle pickup selector

1959 Fender Telecaster Custom

Played on stage at the Cambridge Folk Festival on Jul. 28, 1984 with Roy Harper

Specs:

Body: Single cutaway slab
Finish: Botswana Brown
Neck: Maple
Fingerboard: Rosewood
Frets: 21
Bridge: 3 adjustable saddles
Hardware: Nickel/chrome
Pickguard: Removed
Pickups: Flat pole in bridge position / chrome-covered at neck position
Controls: Two chrome knobs (volume and "blend") / three-position toggle switch, Parsons B-Bender

Goldtop Gibson Les Paul Classic Premium Plus

Fitted with the Transperformance system

Specs:

Body: Single sharp cutaway Mahogany, bound carved maple top
Neck: Mahogany w/ rosewood fingerboard and pearl trapezoid inlays
Finish: Goldtop
Frets: 22
Headstock: Blackface w/ holly veneer/pearl logo inlay
Tuners: Vintage-style
Hardware: Nickel
Pickups: 2 Double-white covered PAF humbuckers
Controls: 2 volume/2 tone, 3-position switch, Transperformance Tuning system

2006 Gibson Custom Shop ES-350

Seen in 2007 at the O2 Arena reunion concert for In My Time Of Dying.

Specs:

Body: Rounded cutaway, plywood maple top
Neck: Mahogany w/ rosewood fingerboard and double-parallelagram fingerboard inlays
Finish: Natural
Frets: 20
Bridge: Tune-o-matic
Headstock: Blackface w/ crown peghead inlay
Tuners: Kluson
Hardware: Gold-plated
Pickguard: Laminated beveled-edge
Pickups: 2 P-90
Controls: 2 volume/2 tone, 3-position switch

Gibson Les Paul

Specs:

Body: Single sharp cutaway Mahogany, bound carved maple top
Neck: Mahogany w/ rosewood fingerboard and pearl trapezoid inlays
Finish: Wine
Frets: 22
Headstock: Blackface w/ holly veneer/pearl logo inlay
Tuners: Vintage-style
Hardware: Nickel
Pickups: 2 Double-white covered humbucker PAF
Controls: 2 volume/2 tone, 3-position switch, Transperformance Tuning system

1991 Custom Shop Gibson Les Paul

Built by Roger Giffin at the West Coast Custom Shop

Built to replicate #1

Has J PAGE stamped on the back of the headstock

Specs:

Body: Single sharp cutaway Mahogany, bound carved maple top
Finish: Cherry Sunburst
Neck: Mahogany
Fingerboard: Compound radius Rosewood w/ pearl trapezoid inlays
Frets: 22
Headstock: Blackface w/ holly veneer/pearl logo inlay
Tuners: Gold Grovers
Hardware: Nickel
Pickups: 2 covered humbucker PAF
Controls: 2 volume/2 tone push/pull pots, 3-position switch

1963 Gibson SG Junior

Seen in 1983

Specs:

Body: Slab double pointed cutaway scalloped mahogany body
Finish: Heritage cherry
Fingerboard: Rosewood with dot inlays
Frets: 22
Bridge: Wrap-around stairstep tailpiece
Pickguard: 3-ply black beveled
Pickup: P-90
Controls: One volume, one tone

Gibson ES5 Hollowbody

Specs:

Body: Rounded single cutaway, maple plywood top, bound F-holes
Finish: Natural
Fingerboard: Rosewood, w/ large block inlays, pointed end w/ 5-ply binding
Frets: 20
Bridge: Trapeze tailpiece w/ pointed ends
Hardware: Gold-plated
Pickguard: Laminated beveled-edge
Pickups: 3 P-90
Controls: 3 Volume, 1 Master Tone on cutaway bout

Gibson Cromwell Electric

Specs:

Body: 16" wide non-cut, F-Holes
Finish: Sunburst
Neck: Mahogany
Fingerboard: Rosewood w/ triangle inlays
Frets: 19

1993 Jerry Jones Double5 Longhorn

Seen at NetAid on October 9, 1999

Yamaha Custom Acoustic

This acoustic was a prize from Golden Lion Roadies Charity in December 1981

Washburn EA20-12 12-String Acoustic/Electric

Used on No Quarter on the Unledded DVD

Specs:

Body: Single cutaway Festival-style, Spruce top, Mahogany sides and back
Finish: Tobacco sunburst
Neck: Mahogany
Fingerboard: Rosewood
Frets: 20
Bridge: Rosewood
Hardware: Nickel 18:1 Grover tuners
Pickups: B-band electronics
Controls: Washburn EQ-300 pre-amp, 3-band EQ

Ovation Doubleneck Elite Acoustic/Electric

Ebony Ovation 6-String Acoustic

Natural Ibanez 6-String Acoustic

Natural Ovation 6-String Acoustic

Used on Nov. 16, 1984 at Scawfell Pike, Cumbria, UK with Roy Harper

Manson Custom Tripleneck

Built by Andy Manson in 1995

Amplification

Vox Super Beatle V1141

Used during the Coverdale-Page EMI CD recording sessions in Vancouver, June 1991

Manufactured under license from JMI (VOX) England, by Thomas Organ Co. in California c.1966

Specs:

Watts: 120
Inputs: 6
Channels: 3
Controls: Volume, Bass, Treble (Tone-X on Channel 3)
Outputs: 2
Covering: Black Tolex

The owner learned Jimmy Page was in Vancouver and that he wanted a high powered VOX amplifier for the Coverdale Page sessions at the legendary Little Mountain Sound Studios. The owner being a musician, studio owner, and huge Led Zeppelin/Jimmy Page fan himself, contacted Jimmy's technician (JS), at Little Mountain and offered the amp to Jimmy over the weekend. The following Monday, Jimmy's tech called and said that Jimmy absolutely loved the amp, and was interested in buying or renting it for the session. The owner said he wanted to keep the amp but offered to lend it to Jimmy for the duration of the recording. After three months, Jimmy's tech called and said they were finished with the amp, and that he could come down to pick it up. The Tech said the amp had been used extensively on the record, on about half the songs.

Fender Tone-Master

Used on stage since 1995

Was recommended by Aerosmith's Joe Perry

Head Specs:

Wattage: 100
Channels: Vintage/Drive
Controls: Volume, Treble, Bass, Mid, "Fat", 2 Effects Loops

Cabinet Specs:

Wattage: 280 RMS
Speakers: 4-12" Celestion "Vintage 30"
Speaker Resistance: 16 Ohms
Body: Birch w/ Tolex covering, Straight face with hidden slant speaker baffle

Marshall

Seen on-stage at the 2007 Reunion Concert

Are rumored to be handwired Hendrix models

Orange AD-30

Used on-stage from 1999 up through the 2007 Reunion Concert

Watts: 30
Inputs: 2 (Hi, Lo)
Controls: Master, Treble, Middle, Bass, Gain
Outputs: 2
Switches: Power, Standby
Covering: Black Tolex

Orange AD-50

Seen at the 2007 Reunion Concert

Watts: Class A/B: 50 watts / Class A: 30 watts
Inputs: Single Input Socket
Controls: Master, Treble, Middle, Bass, Gain
Outputs: 8 ohm and 16 ohm Speaker Outs
Switches: Power, Standby
Covering: Black Tolex

Orange OR-50

Seen at the 2007 Reunion Concert

40th Anniversary Series, JP got the first one out of 40 made

Has different frontplate than others in the series

Watts: 50 watts RMS
Inputs: Single Input Socket
Controls: Gain, Bass, Middle, Treble, HF Drive, Master Volume
Outputs: 8 ohm and 16 ohm Speaker Outs
Switches: Power, Standby
Covering: Black Tolex

Petersburg P-100/JP-100

Used on stage since 1995 (American Music Awards-Black Dog) up to the 2007 Reunion Concert

These amps were branded as Spetel, Petersburg or later Red Bear (Gibson)

Specs:

Watts: 100
Inputs: 2 (Low,High)
Controls: Presence, Treble, Mids, Bass, Volume, Gain
Outputs: 2
Switches: Power, Standby (in front), Impedance 4/8/16 Ohm (in back)

Effects

Pete Cornish Pedalboard System

Used on stage since 1993

Boss SD-1 Super Overdrive

Used in The Firm/Outrider days

Specs:

Controls: Level, Tone, Drive
Connectors: Input, Output, AC Adaptor
Current Draw: 4 mA (DC 9V) (Advertisement says 4mA, the manual says 6 mA, measurements confirmed current draw to be 3.7 mA)
Weight: 400g / 15 oz (including battery)
Nominal Input Level: -20dBu
Input Impedance: 470kOhm/1MOhm (Earlier Pocket Dictionary's says 470k, later manuals says 1MOhm)
Nominal Output Level: -20dBu
Output Impedance: 1kOhm
Residual Noise Level: -110dBm (IHF-A Weighted, Typ.)
Recommended Load Impedance: 10kOhm or greater
Recommended AC Adaptor: PSA Series

Boss CE-2 Chorus

Used in The Firm/Outrider days

Specs:

Controls: Rate, Depth
Connectors: Input, Output, AC Adaptor
Current Draw: 9 mA (DC 9V)
Weight: 400 g. (14 oz)
Input Impedance: 470k Ohm
Signal/Noise Ratio: 90dB or more
Recommended Load Impedance: 10k Ohm or greater
Recommended AC Adaptor: ACA Series