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Record Collector Christmas 2010

The Christmas 2010 Issue of Record Collector has an excellent article on Led Zeppelin and the making of their legendary third album. Although Led Zeppelin III was released on October 5, 1970 in the US and had certified Gold status three days later, the seeds for this memorable album were planted more than a year earlier.

Led Zeppelin was released at the beginning of 1969 and Led Zeppelin II was released a mere ten months later on the coattails of the success of the first album. There was a definite Led Zeppelin mania going on in the United States. Led Zeppelin had virtually been on the road non-stop for the last year, with five tours in America and six in Europe and England. The last date of the tour in the US on April 19, 1970 in Las Vegas, Nevada had to be cancelled because Robert Plant had collapsed at the previous night’s performance, due to exhaustion. The band needed a break.

Robert Plant had suggested a place to retreat to - South Snowdonia. His family had taken holiday in nearby Llynfant Valley in the 1950s and he was very enchanted by the remoteness of the area and the stories of English folk lore that were told. Robert, Jimmy, Robert’s with Maureen and daughter Carmen, Charlotte Martin, Jimmy’s girlfriend, along with roadies Clive Coulson and Sandy MacGregor travelled up to Bron-Yr-Aur, a small derelict cottage, atop a small hill, two miles from Machynlleth, Powys, Wales, in May 1970. There was no running water, no electricity, no phones, just the perfect place to bring a couple of acoustic guitars and a tape recorder and record some new music.

Although the actual recording for Led Zeppelin III was done a month later at Headley Grange, East Hampshire, England, the beginnings of many of Led Zeppelin’s songs had their beginnings at Bron-Yr-Aur, including Friends, Bron-Y-Aur Stomp, That’s The Way, Over The Hills And Far Away, The Crunge, The Rover, Bron-Yr-Aur, Down By The Seaside and Poor Tom. Additional recording was done in Olympic Studios and Island Studios, back in London, England in June and July 1970.

At the end of June 1970, they had a one-off performance in Reykjavik, Iceland, as part of a culural exchange visit organized by the British Government. The following weekend, Led Zeppelin headlined the Bath Festival of Blues & Progressive Music. They took the stage at sunset, upon Peter Grant’s insistence, which was at approximately 8:30PM. This performance was unarguably one of their most important of their career to date. It both opened the eyes to the British fans and those who had initially snubbed them in the past 18 months, as well as premiering their acoustic dynamic.

The Boy Next Door (a.k.a. That’s The Way) was given quick and polite applause. This was most certainly a shock to the audience who was expecting another Whole Lotta Love or How Many More Times. The only new material the public had heard what eventually would make it on Led Zeppelin III was Since I’ve Been Loving You, but the lyrics has changed, so anything was new to them.

Likewise, the press was shocked. They said things like “LED ZEPPELIN GO ACOUSTIC”, “THIS ISN’T LED ZEPPELIN II” and “THIS CHANGE IS THE END OF LED ZEPPELIN”. All of this is laughable since three songs on the first album were acoustic, as well as portions of two songs on the second album. All that this was cement the fact that Led Zeppelin was so much more than just an electric and distorted band and it would go on to be a part of Robert Plant’s solo career, even up to the present date.

Led Zeppelin: The Making of their Legendary Third Album does a superb job of chronicling this time period from October 1969 through December 1970, exploring every facet of Led Zeppelin, from the live experience to the period of recording to the critics’ and fans’ reactions and everything in-between.

Also including in this issue of Record Collector is a small article on the cover design of Led Zeppelin III by artist Zacron, a look into the influences of Led Zeppelin that led to their acoustic interests, an article on bootleg recordings of this time period, a track-by-track listing of the songs that made it onto Led Zeppelin III and those that did not as well as a Rare Pressings Guide to the LPs of Led Zeppelin III that were released throughout the world.

As an added bonus, if you skim toward the end of the magazine, in the Digging For Gold section, you will find an article on an alternate pressing of Physical Graffiti, Led Zeppelin’s sixth studio album, that was discovered in the possession of legendary collection Ken Barnes. It contained several different images in the die-cut windows of the album cover. This article tells the story of that experience.

Record Collector Issue #383 Christmas 2010 is currently on newsstands and available for purchase on their website.

Jeff Strawman
December 7, 2010

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This Month in
Led Zeppelin History

December 16, 1968 - Zep plays Bath Pavilion for a mere £75.
December 26, 1968 - First American concert at the Coliseum in Denver, CO
December xx, 1969 - Led Zeppelin are reported to have sold 5 million dollars worth of albums in the US
December 11, 1969 - Led Zeppelin are presented gold and platinum discs for their first two albums
December xx, 1970 - The band enters Island Studios to begin work on the fourth album
December xx, 1971 - The band plays a few low-key shows back in England
December 23, 1972 - The band break for Christmas holiday after a London gig
December xx, 1973 - John Paul Jones works on studio productions for Madeline Bell
December xx, 1973 - Joe Massot films Jimmy Page’s fantasy sequence at Loch Ness
December 19, 1974 - John Paul Jones and Jimmy Page jam with Bad Company at the Rainbow Theater
December 10, 1975 - Led Zeppelin play a 45-minute show with Norman Hale at Behan’s in Jersey
December xx, 1976 - Led Zeppelin rehearses for the 1977 tour
December 25, 1976 - It’s announced that Plant and Bonham will reunite with the Band of Joy for three shows in the new year
December xx, 1977 - The band minus Robert gather to discuss Led Zeppelin’s future plans
December xx, 1978 - The new album is completed quickly at Polar Studios and mixed at Jimmy’s Plumpton Studio
December xx, 1979 - John Bonham considers joining Paul McCartney’s Wings
December 29, 1979 - The band minus Jimmy Page attend the Paul McCartney And Wings Kampuchea befefit show
December 04, 1980 - Led Zeppelin issue the following statement not to carry on as a band: "We wish it to be known, that the loss of our dear friend and the deep respect we have for his family, together with the deep sense of harmony felt by ourselves and our manager have led us to decide that we could not continue as we were."
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