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Studio Outtakes

Babe I'm Gonna Leave You
After The New Yardbirds' first Scandanavian Tour in mid-September 1968, Jimmy Page was eager to get his new band into the studio. Because they didn't have a recording contract, Jimmy Page and Peter Grant put up their own money (reported to be £1,782) for recording costs.
You Shook Me
Olympics Studios in Barnes, London, England was rented from late September to early October 1968. A mere thirty-six production hours later, Led Zeppelin was finished. Amongst the outtakes is this clip of You Shook Me.
Drum Track
During their nonstop touring in 1969, Led Zeppelin managed to record their second album at various studios. An unedited drum track, some of which was used for Moby Dick, was recorded in May 4-6, 1969 at Mirror Sound Studios in Los Angeles, California.
Sugar Mama
The next month, in June 1969, a recording session was held in Morgan Studios in Willesden, North London, England. Sugar Mama, an unused track, came out of those sessions.
Bron-Yr-Aur
After their hectic touring of 1969, Robert and Jimmy retreated to a small cottage in South Wales called Bron-Yr-Aur in May 1970. Much of the material that appeared on Led Zeppelin III was conceived at this time. Although Bron-Yr-Aur was recorded at this time, it didn not appear on an album until 1975's Physical Graffiti.
Immigrant Song
Led Zeppelin decided to record their new material at a rented cottage in Headley, East Hampshire, England called Headley Grange, in late May and early June 1970. More recording was done at Island and Olympic Studios in London, England. Immigrant Song was largely written after Led Zeppelin performed in Reykjavik, Iceland on June 22, 1970.
Stairway To Heaven
This is the big one. When the band gathered at Headley Grange in late December 1970, Jimmy Page introduced a fairly complete chord progression to the band. Robert Plant began scribbling lyrics down for this song. Back at Island Studios in London, England, Jimmy recorded the guitar solo on the 1959 Fender "Dragon" Telecaster. Here are some rehearsals of this epic song in progress.








Walter's Walk
By 1972, Jimmy Page had a studio console installed in his Plumpton home. Walter's Walk was recorded at the Stargroves in May 1972 but wasn't put on an album until Coda.
No Quarter
No Quarter was conceptualized during Headley Grange sessions in mid-1970 and was reworked throughout 1971 and 1972. It was slowed down considerably and re-recorded at many studios. Here is a from June 1972.
The Wanton Song
In November 1973, the band returned to Headley Grange yet again to record what would eventually become their sixth studio album, Physical Graffiti. Here is a rehearsal clip of The Wanton Song.
In The Morning
Here is a clip of In The Morning, a tune that evolved into In The Light. Check out the wonderful piano work by John Paul Jones on his Steinway B-211 Drawing Room Grand Piano at the beginning of this track.
Tea For One
After Robert Plant's August 1975 auto accident on the island of Rhodes and because of Britain's tax exile, the Robert & Jimmy moved to Malibu later that same month, California and rented a beach house. Jones & Bonham joined three weeks later. Tea For One was a melancholic reflection by Plant on the time he was separated from his wife and family.
Don't Start Me Talking / All My Lovin'
Here are two tracks that did not make it onto Presence. They did some pre-production sessions at Hollywood's S.I.R. Studios and recorded these two tracks in November 1975 at Musicland Studios in Munich, West Germany.
Fire (Say You Gonna Leave Me)
Ten months after Robert Plant's son Karac had died, the band regrouped at Clearwater Castle in Clearwell, Gloucestershire, England to rehease some new material.
Carouselambra
These early recordings of Fire (Say You Gonna Leave Me) and Carouselambra show the band's tremendous power.
White Summer / Black Mountain Side
Rehearsing for the Over Europe 1980 tour, White Summer / Black Mountain Side is from the Victoria Theatre, London in May 1980.
Achilles Last Stand
Rehearsing for the Over Europe 1980 tour, Achilles Last Stand is from the Victoria Theatre, London in May 1980.
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This Month in
Led Zeppelin History

July xx, 1969 - The band play many festivals now on their third American tour
July xx, 1970 - Additional recording for Led Zeppelin III at London’s Island Studios
July 16, 1970 - Photographer Chris Welch films Led Zeppelin on his 8mm camera, some clips later used in the Whole Lotta Love promo video
July xx, 1971 - Untitled gets re-mixed in London
July 05, 1971 - A riot erupts mid-concert, forcing Led Zeppelin to stop after about 40 minutes
July xx, 1972 - After repeated bad press, Led Zeppelin hire their first publicity firm
July 20, 1973 - A last minute decision is made to film the remaining part of the tour
July xx, 1973 - Led Zeppelin is filmed over the three nights for their film that will emerge as The Song Remains The Same
July xx, 1974 - After viewing their 1973 filmed performance, it is apparent critical errors were made
July xx, 1974 - Mixing for Physical Graffiti at Olympic Studios
July 05, 1975 - The band meet in Montreux to discuss adding South America and Japan to the end of their North American tour
July xx, 1976 - Bonham and Page fly to Montreux, Switzerland to check out some new sound and drum effects
July 17, 1977 - The last ever performance of Moby Dick played at the Seattle Kingdome
July 24, 1977 - The band plays its last US date at the Oakland Coliseum
July xx, 1978 - Led Zeppelin are invited to perform at Maggie Bell’s Festival Hall show
July xx, 1979 - Led Zeppelin film their rehearsal at Bray Studios
July 04, 1979 - Led Zeppelin confirm a second date at Knebworth in August 1979
July 05, 1980 - Simon Kirke joins in on drums for an encore in Munich
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