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[NAMM] Supro resurrects the Black Magick



Supro recreates one of the most legendary amp models in the history of rock&roll: the Black Magick.

This all-tube, high-gain blues machine harkens back to the dimensions, cosmetics and circuitry of the Supro amps from 1959 - just like the one loaned by Jimmy Page to the Rock and Roll Hall of Fame Museum. In tribute to this legendary and extensively modified Supro combo, Supro based this new version on the actual cabinet dimensions from a '59 Supro 2x10, replacing the baffle with a 1x12, and arming this 25-watt combo with a custom, British voiced speaker specially developed for the Black Magick amp.

The preamp found in the Black Magick features two channels wired in parallel, with independent volume controls and a single, shared tone control. The vintage-correct front-end topology of the original 1959 Supro combos has been streamlined in the Black Magick, with automatic linking of channels 1&2 when using only the first input jack. This flexible arrangement provides double the gain when used with one instrument and also allows for two instruments to share the same Black Magick or for the use of an A/B/Y box to achieve channel-switching on the fly.

With more gain on tap than any other Supro reissue, the Black Magick is said to shine especially in heavy blues and classic rock guitar styles. This amp's traditional, cathode-biased "Class-A" power section uses a pair of 6973 tubes to achieve the instantly recognizable midrange grind and phenomenal touch dynamics that define the Supro sound. A complete range of tones from warm cleans to heavy distortion can be accessed by simply adjusting the volume knob on your instrument, while the signature Supro power tube tremolo adds footswitchable depth and dimension.

Features list:

Vintage Supro Cosmetics and Circuitry
Two channels with Parallel Link and shared tone control
Output Tube Tremolo with footswitch jack
25 Watts Cathode-Bias "Class-A" Power Amp
1×12 Custom Voiced Supro BD12 speaker
2×6973 power tubes
Gold Faceplate
Black Rhino Hide Tolex
Assembled in NY, USA


Pre-orders are being taken now at a price of $1,499 for a March, 2016 delivery.


More details to come at Supro's website.

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This Month in
Led Zeppelin History

July xx, 1969 - The band play many festivals now on their third American tour
July xx, 1970 - Additional recording for Led Zeppelin III at London’s Island Studios
July 16, 1970 - Photographer Chris Welch films Led Zeppelin on his 8mm camera, some clips later used in the Whole Lotta Love promo video
July xx, 1971 - Untitled gets re-mixed in London
July 05, 1971 - A riot erupts mid-concert, forcing Led Zeppelin to stop after about 40 minutes
July xx, 1972 - After repeated bad press, Led Zeppelin hire their first publicity firm
July 20, 1973 - A last minute decision is made to film the remaining part of the tour
July xx, 1973 - Led Zeppelin is filmed over the three nights for their film that will emerge as The Song Remains The Same
July xx, 1974 - After viewing their 1973 filmed performance, it is apparent critical errors were made
July xx, 1974 - Mixing for Physical Graffiti at Olympic Studios
July 05, 1975 - The band meet in Montreux to discuss adding South America and Japan to the end of their North American tour
July xx, 1976 - Bonham and Page fly to Montreux, Switzerland to check out some new sound and drum effects
July 17, 1977 - The last ever performance of Moby Dick played at the Seattle Kingdome
July 24, 1977 - The band plays its last US date at the Oakland Coliseum
July xx, 1978 - Led Zeppelin are invited to perform at Maggie Bell’s Festival Hall show
July xx, 1979 - Led Zeppelin film their rehearsal at Bray Studios
July 04, 1979 - Led Zeppelin confirm a second date at Knebworth in August 1979
July 05, 1980 - Simon Kirke joins in on drums for an encore in Munich
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